Portraits photographiques et mise en scène éditoriale
Abstract
This article examines the circulation and appropriation of the photographs of Juan Negrín, the last head of the government of the Second Republic of Spain, in the contemporary public space. The objective is to question how photography contributes to constructing or deconstructing a representation of this politician through the qualitative and comparative analysis of the covers of work that he was the subject of between 1985 and 2008.
Domains
Humanities and Social SciencesOrigin | Publisher files allowed on an open archive |
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